Archipelago shows “Alison Hill: Castaways”

alison

Archipelago welcomes Alison Hill! The public is also invited to see her latest work “Castaways,”  and for wine and goodies and meet Alison Hill at a reception for the artist Friday, May 1st from 5 – 8 p.m. in the Gallery, at 386 Main Street, Rockland. The online gallery can be seen at www.thearchipelago.net.

Alison shares thoughts about her work: “Painting has become my way of moving through this world, responding to and expressing what I see and feel. It is my interpretation, using color, stroke, and line, to evoke the mood I am receiving, whether it is a landscape, a person, or a still life, I want to recreate what I am receiving.

Through some fortunate circumstances, I am now living on Monhegan island, Maine. In the summer I run a studio  gallery, and off season I spend painting, traveling, doing portraits, and other art related endeavors. Monhegan offers endless inspiration, no matter what the season, and I feel very fortunate to call this home.”

Alison has painted with Caleb Stone, Don Stone, Guy Corriera, Dean Keller, Bonald Sher, Mary Beth Mackenzie, Dan Gheno, Jack Farragasso, Joseph Peller, Sharon Sprung.

Alison’s paintings are inspired by the people and landscapes of Monhegan, where she lives year round. The exhibit runs through Friday, June 19. For more information on this show, please contact Lisa Mossel Vietze, Archipelago Store and Gallery Director, at 207-596-0701.

“Spring Tonic” Opening at Caldbeck Gallery

aikman_everglades_0“Everglades” by Cicely Aikman

The Caldbeck Gallery, 12 Elm Street in Rockland, will hold an Open House on First Friday, May 1st.   On exhibit is “Spring Tonic”, a group show of paintings and sculpture by selected gallery artists. These artists include Cicely Aikman (Am.1923-2013) late of Friendship, Lois Dodd of Cushing and NYC, Lise Becu of Tenants Harbor, Nancy Glassman of Searsmont, Kayla Mohammadi of South Bristol and Boston, Elizabeth O’Reilly of Brooklyn NY, Dennis Pinette of Belfast, Barbara Sullivan of Solon, Dan West of Friendship, and Nancy Wissemann-Widrig of Cushing and Southold NY. The exhibit runs through May 30. Gallery hours are Wednesday – Friday, 12-4. For further information please call the gallery at 594 5935.

“Scott Kelley: Aboard the Whaleship Abbott” opens at Dowling Walsh

dowling walsh
“Flag of the Whaleship Abbott,” by Scott Kelley,   2015, Watercolor and gouache on paper, 22″ x 30″

Dowling Walsh Gallery in Rockland  kicks of the summer season with an Opening Reception May 1 from 5 – 8 pm for “Scott Kelley: Aboard the Whaleship Abbott,” a show of Scott Kelley’s watercolor and gouache paintings for the month of May. “I could never have been a whaler, but would love to have been aboard a whaleship in 1856, to see how it was done, meet those men, hear their stories, somehow get it all down in my own sketchbooks and journals, my fingers black from soot, as well as ink.” Scott Kelley was born in 1963 in Binghamton, New York and studied at The Cooper Union School of Art, New York; The Slade School of Art, London; and was a fellow at The Glassel School of Art, Museum of Fine Arts, Houston. He had his first solo exhibition at the age of eighteen with The American Realist Gallery in New York, and has had over 15 solo exhibitions since then. The artist lives and works on Peaks Island, Maine, with his wife, Gail, their son, Abbott and their dog, Francis.

ARTIST STATEMENT
Looking through whaling logbooks at the Providence library, my fingers went black from turning the pages. It was as though some small part of whaling had rubbed off on me, the soot from the try pots, fires that burned night and day. Melville called it “the left wing of the day of judgment”. The true history of American whaling is in those logbooks, and hundreds like them, written by the men who went to sea. Those pages hold the excitement of the hunt, the chase, the danger, as well as the boredom and near-constant longing for home, all of it the sum parts of whaling.

Dowling Walsh Gallery is located at 365 Main Street in Rockland Maine, directly across from the Farnsworth Art Museum. We are open Tuesday through Saturday from 10am – 5pm, and by appointment on Sunday and Monday. For more information, visit us online at www.dowlingwalsh.com or call 207-596-0084.

“In the Woods” opens at Summer Island Studio

summer island
“Gossip” by Lee Cheever

Lee Cheever, a local artist from Harpswell will be showing the month of May at Summer Island Studio Gallery of Fine Artisans located in the Tontine Mall in Brunswick.  The show is called “In the Woods” and an Artist Reception will be held Friday, May 8 from 5pm to 7pm. Wine, cheese and Hors’doerves will be served; any questions please call Patti Baker at 373-1810. Cheever’s exhibit will focus on wood expression for both wall and free standing sculpture. She is a multifaceted artist who taught in public schools for years and now she has a studio in Brunswick and is active volunteering in the creative community. She spots stories everywhere. It may be the stories of history one encounters in traveling, or a chance encounter with an animal in the woods. The world has stories to tell. This translates into her work in suggesting an encounter. What the viewer takes from the piece is personal and varied.

Tidemark Gallery Welcomes Spring with Opening

Tidemark
“Ebb & Flow,” watercolor, Jean Kigel at Tidemark Gallery Saturday, May 2, 5 to 7pm

Ten local artists say goodbye to winter with an opening reception Saturday, May 2, from 5 to 7pm at Tidemark Gallery in Waldoboro. This show has fresh new paintings, jewelry, pottery, books and cards by a creative and friendly group, including Audrey Bechler, Geoff Bladon, Jean Kigel, Sally Loughridge, Patience Sampson, Joyce Steel, Barbara Vanderbilt and more.

Tidemark Gallery & Frame Shop is now officially open from 10am – 5pm, Wednesdays through Saturdays. tidemarkgallery.com   832-5109

Jean Kigel shows “Maine and the Marine Environment: Paintings”

"Arctic Anxiety" by Jean Kigel

“Arctic Anxiety” by Jean Kigel

With global warming, Arctic terns have become threatened. But Maine Coastal Islands (National Wildlife Refuges) are providing safe nesting habitat for them and other seabirds on 49 coastal islands.

From May through July Maine Coastal Islands Gallery in Rockland is featuring Maine and the Marine Environment: Paintings by Jean Kigel. This exhibit celebrates a variety of protected seabirds like the arctic tern chick and common eider show here, as well as crustaceans, zooplankton, and seascapes. Openings coincide with Rockland’s First Friday Art Walks [AIR] – grand opening May 1 from 5-8 p.m. Sponsored by Friends of Maine Seabird Islands, this exhibit runs through July 2015, Monday-Friday 8:30-4:30. For more information call (207) 594-0600, ext. 5.

Felicity Sidwell solo exhibition on Peak’s Island

"Phippsburg" by Felicity Sidwell“Phippsburg” by Felicity Sidwell

Richard Boyd Art Gallery located on Peaks Island in Portland, Maine is pleased to announce the opening of A Solo Exhibition of Paintings by award winning artist Felicity Sidwell, May 1 – 31. The public is invited to meet Felicity at a reception in her honor at the gallery on Saturday, May 2 from 11:30 am to 2:30 pm where she will be available to discuss her paintings.

Many of Sidwell’s paintings have their start “en plein air” inspired by her perception of nature and the land around her.

In Felicity’s words, “In my paintings I strive to share the joy I feel when immersed in the natural world untouched by human intervention. Yes we are a part of this world and like the ocean we make our presence felt by the changes we make to the environment, but it is the sense of exhilaration in a storm, the contented love of a summer beach or the peace of an autumn salt marsh that I long to share with others away from the buildings and the trappings of modern society. Fishing villages of coastal Maine and small family farms, seem to me part of an older, more natural order that fit into the environment with a beauty of their own.

I grew up in rural England and spent summers sailing and playing on England’s coast. Having lived and painted in Connecticut for over 35 years the move to Maine in 2007 brought an immediate strong connection with this wild rocky coastline tempered by sandy coves and the salt marshes of river estuaries.

I paint outside, “en plein air” as much as possible to capture and express in paint the fleeting colors of land and sky that are so dependent on the atmospheric conditions of the day and the season of the year.”

Felicity’s paintings are exhibited nationally and held in numerous collections around the world.

Richard Boyd Art Gallery is located at the corner of Island Avenue and Epps Street in the first building on the right, on the first floor. The exhibit is on view free of charge to the public from 10:00 a.m. to 5:00 p.m. daily through May 31, 2015.

For additional information about the exhibit please call the gallery at (207) 712-1097, email info@richardboydartgallery.com or visit richardboydartgallery.com. For weekly updates or news like the gallery on Facebook at facebook.com/RichardBoydArtGallery.

Alison Goodwin “Re-Entry” at Greenhut Galleries

"Irises" by Alison Goodwin

“Irises” by Alison Goodwin

Alison Goodwin’s work is well known throughout New England where she has been living and working for the past two decades. A graduate of the University of Southern Maine and the Maine College of Art, Alison is thrilled to be back in Portland and having her tenth solo exhibit at Greenhut Galleries. The title “Re-Entry” speaks to the feeling of renewal and energy in her location and artwork. In addition to her colorful, whimsical paintings, Alison is showing new black and white abstracts which offer a fresh perspective on her work, revealing the artist’s brilliant imagination and aesthetic. Influenced by many artists, including Hundertwasser, Klimt, Matisse and Calder, Alison’s work is characterized by saturated, turbulent color and skewed perspectives, which pull together a sophisticated aesthetic in both fine interior spaces and funky dwellings.

Rose Marasco retrospective opens at Portland Museum of Art

Featured

Rose Marasco at PMA

Rose Marasco is perhaps Maine’s most-prolific living photographer, having lived and photographed in Portland and its surrounding communities for more than 35 years.

The photographs in Rose Marasco: index are stunning and display extraordinary range, encompassing everything from her images of the urban environment to her unexpectedly poetic response to the natural world, and her exhaustive, thought-provoking examination of the domestic world of women, in which she layers historical objects with contemporary materials. It’s this diversity of both subject and technique that has long characterized Marasco’s artistry, and visitors of all interests and backgrounds will find something special to immerse themselves in.

Throughout her career, Marasco has remained uninterested in genres such as documentary, landscape, and portraiture. Instead, she has consistently mined concepts of framing, point of view, and orientation to make images with a complex relationship to the everyday image of the world.

The works on view include her comprehensive series of photographs of Maine’s Grange Halls and the images made in her own home as part of the decade-long series called Domestic Objects. Also included are photographs made in and around Portland during the past 35 years, which form a visual chronicle of the city—albeit unintended—that will engage locals and regional visitors alike.

The exhibition is organized by PMA Chief Curator Jessica May. Working with the artist for almost a year, the two have carefully culled Marasco’s photographs—more than four decades worth—for Rose Marasco: index. The result is a significant exhibition, both in volume and, most important, in the context it provides for a consummate artist and photographic career that continues to thrive to this day.

Bridge Gallery in Portland opens “Take Flight”

Bridge Gallery Take Flight

Bridge Gallery in Portland is proud to announce the opening of “Take Flight” on June 5th, 4 – 6 p.m. The theme “Take Flight” is interpreted by New England artists, including Kevin Beers, Valerie Birnhak, Ruth Claff, Pauline Delin, Dick Eaton, Alison Hill, Khat Mirzan, Judy Odonnell, Jane Parsons, Rhonda Pearle, Gary Perlmutter, Amy Williams. Each artist has their own unique vision and style. The show will be on display from June 5th – 30th, at Bridge Gallery, located at 568 Congress St. in the arts district of Portland. For more information visit BridgeGalleryPortland.com or call (207) 712-9499. Join Bridge Gallery as we “Take Flight”!

New Paintings and First Show of the Season at Bayview Gallery

"After the Rain" by Barbara Applegate

“After the Rain” by Barbara Applegate

Bayview Gallery in Brunswick is thinking Spring!

Though the ground is still snow-covered and we face the likelihood of another storm this evening, we have turned our focus toward the season of rebirth. With this welcome shift, we are delighted to announce an upcoming exhibit and to share several paintings with you that have recently arrived at the gallery.

We are excited to announce our first exhibit of the season, “Local Color 2015″. Running from April 1 to May 2, this show features four local artists painting the mid-coast.

A reception with the artists will be held Friday, April 10th from 5 to 7 p.m. For more information visit Bayview Gallery at 58 Maine Street in Brunswick, email art@bayviewgallery.com or call (207) 729-5500.

New work by Thomas Higgins at Greenhut Galleries

Tom Higgins at Greenhut Galleries

“On the Settlement Quarry” by Thomas Higgins

A plein air painter of the first degree, Tom Higgins balances both art and nature – the act of painting and the subject of his painting – in equal measure at the tip of his brush. His enthusiasm for his subject – usually a respectful view of a solitary Maine prospect – and his interest in technique, applying paint quickly before the moment passes, has propelled him to the front ranks of contemporary Maine landscape painters.

Greenhut Galleries is open year-round: Monday through Friday, 10:00 a.m. to 5:30 p.m., Saturday, 10 a.m. to 5 p.m. For more information email greenhut@maine.com or call (207) 772-2693.

 

Bearing Fruit: Art at the intersection of human and vegetable

Maine Farmland Trust Gallery heralds the arrival of spring with a group exhibition, Bearing Fruit, showcasing four artists in whose work the “organic” image plays a central role. The show runs from April 3 – May 8, with an opening reception on Friday, April 3, from 5:00 – 7:30 p.m.

Anne Alexander Sculptor

Strawberries sculpture by Anne Alexander

Sculptor Anne Alexander’s ceramic forms are about nature and its connection to life stages, growth cycles and the human body. Unique vegetables and fruits are sought out at farmers markets or in her own garden to model in clay. Vibrant reds enhance the voluptuousness of the larger-than-life fruits.

2457049_062500

“2457049.062500” by Leah Gauthier

Leah Gauthier’s sculptural work incorporates food, foraged natural materials, live plants and handmade objects. Her pieces are at once deep meditations on the present moment and imaginings related to quickly shifting landscapes, new juxtapositions of flora and fauna, and emerging and endangered life forms.

Jacinda Martinez is a young artist from the garment district in Brooklyn, NY, who has spent her last six years farming. She fashions elaborate dresses from otherwise discarded vegetable matter: broccoli stalks, bean vines, bolted lettuce. Her final product, much like a fashion shoot, is a series of elegant photographs of models clad in vegetables.

Julie H. Rose describes her intricate fiber art as “always about nature, or more clearly, of nature.” Her work mimics nature’s process and her experience of being in and observing nature. The materials she chooses feel organic and most of them—sheep’s wool, silk, cotton, linen—are. Says Rose: “I have the illusion that they whisper to me what they want to become.”

Bearing Fruit plays at the intersection of human form and plant forms, the interdependence of species, or better yet, inseparable-ness – as reflected in the physical sensuality of Alexander’s vegetables or the vulnerability of Martinez’ models wrapped in their vegetable-fiber dresses. On the most basic level, the imagery suggests that we all stem from the same source.

Maine Farmland Trust Gallery is located at 97 Main Street in Belfast and open Monday through Friday (not on holidays) from 9 a.m. – 4 p.m. More information about the MFT Gallery can be found at mainefarmlandtrustgallery.org.

Maine Farmland Trust is a member-powered statewide nonprofit working to protect farmland, support farmers, and advance the future of farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine.

First-Ever Retrospective of One of Maine’s Greatest Living Photographs on View at the PMA

Rose Marasco at PMA

“Projection No. 5″ by Rose Marasco

The Portland Museum of Art is proud to present Rose Marasco: index, the latest exhibition in the PMA’s Circa series. The exhibition is the photographer’s first-ever retrospective, and the PMA is honored to bring it to its audiences. The exhibition is on view April 24 through December 6, 2015.

Rose Marasco is perhaps Maine’s most-prolific living photographer, having lived and photographed in Portland and its surrounding communities for more than 35 years.

The photographs in Rose Marasco: index are stunning and display extraordinary range, encompassing everything from her images of the urban environment to her unexpectedly poetic response to the natural world, and her exhaustive, thought-provoking examination of the domestic world of women, in which she layers historical objects with contemporary materials. It’s this diversity of both subject and technique that has long characterized Marasco’s artistry, and visitors of all interests and backgrounds will find something special to immerse themselves in.

Throughout her career, Marasco has remained uninterested in genres such as documentary, landscape, and portraiture. Instead, she has consistently mined concepts of framing, point of view, and orientation to make images with a complex relationship to the everyday image of the world.

The works on view include her comprehensive series of photographs of Maine’s Grange Halls and the images made in her own home as part of the decade-long series called Domestic Objects. Also included are photographs made in and around Portland during the past 35 years, which form a visual chronicle of the city—albeit unintended—that will engage locals and regional visitors alike.

The exhibition is organized by PMA Chief Curator Jessica May. Working with the artist for almost a year, the two have carefully culled Marasco’s photographs—more than four decades worth—for Rose Marasco: index. The result is a significant exhibition, both in volume and, most important, in the context it provides for a consummate artist and photographic career that continues to thrive to this day.

About Rose Marasco

Rose Marasco’s (b. 1948) work extends well beyond Maine and New England. Marasco was born and raised in Utica, New York, in an Italian Catholic household. After earning a BFA at Syracuse University, Marasco attended the Visual Studies Workshop (VSW) in Rochester for graduate school, taking courses and workshops there regularly throughout the 1970s and 1980s. The VSW was a start-up school, run nearly single-handedly by photographer and writer Nathan Lyons and his wife, Joan, who founded the school as a place to train photographers and to foster discussion about the nature of media arts. Their characteristic approach was to prioritize the capacity of photography to communicate information. Significantly, the students associated with VSW in the 1970s and 1980s comprise a veritable who’s who of postwar photography in the United States. In 1979, Marasco moved to Maine, where she continued a teaching career—which began five years earlier, at Munson-Williams-Proctor Arts Institute—at the University of Southern Maine, until her retirement in 2014. Her work is in the collection of many institutions, including the Library of Congress, the New York Public Library, the Davis Museum at Wellesley College, and the Harvard Art Museum.

Circa is a series of exhibitions featuring the work of living artists from Maine and beyond. Generously supported by S. Donald Sussman. Corporate sponsorship is provided by The VIA Agency and The Bear Bookshop, Marlboro, VT.

UMMA Announces Spring Exhibitions

The University of Maine Museum of Art, located at 40 Harlow Street in downtown Bangor, opens three new exhibitions in April. UMMA, which is open Monday-Saturday from 10 a.m. – 5 p.m., brings modern and contemporary art exhibitions to the region and presents approximately 12 original exhibitions each year. UMMA’s spring exhibitions will open to the public on April 3 and run through June 6, 2015. Admission to the Museum of Art is FREE in 2015 thanks to the generosity of Penobscot Financial Advisors.

Andy Warhol: Photographs & Screenprints
April 3 – June 6, 2015

"Goethe" by Andy Warhol

“Goethe” by Andy Warhol

This exhibition features works by Andy Warhol, the principal figure of American Pop Art who was known for elevating aspects of popular culture and consumerism into the realm of “high art”. Photographs and Screenprints showcase two recent gifts to UMMA’s permanent collection from The Andy Warhol Foundation for the Visual Arts, Inc. in New York City, and marks the first time many of these works have been seen in Maine.

Included are Warhol’s screenprints of Sitting Bull, Goethe, Hans Christian Andersen and the artist’s iconic Flowers, 1970. Also featured is a selection of gelatin silver prints and Polaroid images of celebrities and socialites such as Farrah Fawcett, Candy Spelling, Pia Zadora and Margaret Hamilton (Wicked Witch of the West), among others.

Andy Warhol: Photographs & Screenprints is funded in part by the University of Maine Cultural Affairs/Distinguished Lecture Series Fund.

Elizabeth Livingston: Dark Houses
April 3 – June 6, 2015

"Night Fell" by Elizabeth Livingston

“Night Fell” by Elizabeth Livingston

New York-based artist Elizabeth Livingston often paints lone women in suburban and rural environments. While these women are depicted amongst the luxuries and comfort of domestic life, there is a feeling of isolation and an ominous undercurrent present in the paintings. As reflected in self-portraits of the artist sleeping nestled under plush bedding, Livingston points out that, “we are most vulnerable when we feel the most protected.” In these works, the artist places the viewer in the position of voyeur. We peer as if through a window into comfortable abodes for a glimpse of the inhabitants often pictured against backdrops of richly patterned wallpaper and domestic objects.

In Livingston’s recent scenes of country homes, where porch lights glow amidst a darkened landscape, she suggests, “they are both safe houses and defenseless outposts about to be consumed by night.”

Jennifer Caine: Amnesia
April 3 – June 6, 2015

"Boundaries #2" by Jennifer Leigh Caine

“Boundaries #2″ by Jennifer Leigh Caine

Often using oil paint combined with marble dust to achieve lustrous matte surfaces, Jennifer Caine’s paintings emerge from an accumulation of layers. While her works may initially find inspiration from specific memories, elements from the environment, or the line of a poem, the references become unrecognizable as they are embedded in the strata of paint. Layers are built up and stripped away through scraping and sanding to expose colors and marks from earlier iterations. Caine’s paintings are rooted in the passage of time, memory and the physical world. The artist states, “As memory is fluid and labile, so are my paintings, informed by current decisions as well as by the history and legacy of the underlying layers.”

Caine’s etchings are equally striking. The varied and decisive marks she employs in several images appear to be solely abstract, while in others seem to suggest the contour of forms existing in the natural world.

Admission to the Museum of Art is FREE in 2015 thanks to the generosity of Penobscot Financial Advisors.

Barbara Bean opens at Summer Island Studio

Barbara Bean at Summer Island Studio

“Studio Cyclamen” by Barbara Bean

Local Artist, Barbara Bean will be showing at Summer Island Studio – Gallery of Fine Artisans for the month of April 2015. Artist Reception and Open House will be Saturday, April 25th from 4 p.m. to 6 p.m. Wine, cheese and hors-d’oeuvre will be served.

Barbara Bean has always been what she calls an art maker; she is inspired by the work of others and enjoys trying new materials. This show is combination of her sculptural assemblages created from found objects and her two dimensional works of mixed media on paper, both in a floral theme.

Bean’s work is more symbolic than representational and asks her viewers to enjoy the experience of entering a new world where there are no boundaries and no limit to what one can make with so little.

Vox opens “Natural” March 26

 

callaLilyzCalla Lily©Medora Hebert

The public is invited to an opening reception March 26, 5-7 for “NATURAL.” This show celebrates the earth’s gifts of new life and bounty after Maine’s harsh, monochromatic winter finally gives way. Twenty VoxPhotographs Gallery contemporary photographers will be represented in a show of photo-based works, including traditionally framed and metal prints. The gallery location is 334 Forest Avenue at EcoHome Studio, Portland 04101 Telephone: 207-323-1214 voxphotographs.com
info@voxphotographs.com

Mid-Winter St. Valentine’s Day Show at the CWG

Cynthia Winings Gallery

Cynthia Winings Gallery warmly invites all to our party in Blue Hill on Saturday, February 7th (5:30 – 8 p.m.) – the gallery will be filled with beauty, enough to warm your heart! The first floor of the gallery will have paintings by Avy Claire, Tom Curry, Buzz Masters and Carol Pelletier, and for the first time, jewelry by Devta Doolan and photography by Heather Lyon.

Gallery hours: Saturday, February 7, 5:30 – 8 p.m. and Sunday, February 8, 11 – 4 p.m. Shop locally and discover a lovely St. Valentine’s Day gift for your Loved One. xoxoxo

The Cynthia Winings Gallery is an artist-owned gallery located at the site of the former Leighton Gallery at 24 Parker Point Road in Blue Hill. Please contact Cynthia Winings for more information at info@cynthiawiningsgallery.com or (917) 204-4001.

The Gallery at School Street Picture Framing show Ken Brooks

Ken Brooks

Celebrating the Versatility of Artist Ken Brooks The Gallery at School Street Picture Framing is excited to show work by one of the most versatile artists we know: Ken Brooks from Athens, Maine. Fascinated by shape, texture, color, light and shadow, Maine native and artist Ken Brooks has created art for more than thirty-five years in central Maine, most of which is inspired by nature.

As far back as he can remember, Ken has been drawing and believes that “as an artist, it is my responsibility and privilege to record through drawing and painting, the magnificence and beauty that surrounds me.” Although he has worked on almost any surface that will accept paint, his favorite mediums are graphite pencil on paper and oil on canvas.

Commissions have made up the majority of his sales and as a result, few paintings or drawings have been available for public viewing until recently. Therefore, this show is an exciting opportunity. Original and framed paintings will include varied subject matter such as “Mr. Goodwin’s Fiddle,” “Pink Before the Storm,” a single leaf titled “Dancing on Ice,” additional still life, landscapes and even a train painting that measures approximately 3 feet by 4 feet.

Complimenting his exhibit of original paintings, this collection will include both limited edition and open edition prints. Motorcycle drawings from artwork Ken has on display in motorcycle museums in Colorado and California, will also be available. For only two years, Ken created detailed woodcarvings of birds, which will also be part of this exhibit. Each carving received ribbons at shows and competitions in Northern New England.

And to top it all off, Ken is a musician. He is currently a member of the award winning bluegrass band “Katahdin Valley Boys.” In 2012, The Maine Country Music Association named Ken and his wife Jane “Vocal Duo of the Year.” That same year, he was inducted into the Maine Country Music Hall of Fame.

Exhibit runs until February 19th at the Gallery at School Street Picture Framing 33 School Street Brewer, Maine (207) 991-9889.